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OUR ORIGINAL AND ADOPTED SYMBOLS

WHO DESIGNED ALL THESE SYMBOLS AND CONCEPTS?

The founder and High Elder Warlock Raymond S. G. Foster is the source of all these designs intending they are part of the Church's history, culture and overall tradition. They also express a wide range of his thoughts and awareness of many things that are more than just simple interpretations. They are, in a sense, guide posts that help to reinforce the integrity and solidarity intended to be central to all Druans. 

33 S R W

33 STAR SEAL

Because this religion and Church its was founded in Oregon this symbol using 33 stars was chosen because it also represents Oregon as the 33rd State of the Union of the United States of America. The other significance of 33 is as follows:

In addition to this, it aligned with the symbolic connection with the Earth, its 8 main compass directions and 24 hours a day. The star for the Earth in the center represents its 6, rather than just five, qualities of composition: Solids, Gases, Plasmas, Liquids, Energy and the center point representing Life and the Soul. The surrounding ring represents eternity, infinity and wholeness.

The main stars or medium ones represent the 8 directions of North, Northeast, East, Southeast, South, Southwest, West and Northwest, which also is associated with 8 Seasons of ancient migration calendars. Between each of these 8 are 3 stars or 8 x 3 = 24 for the number of hours in a day. 24 hours + 8 directions/seasons = 32 + 1 for the Earth/World = 33. This becomes a symbolic number of wholeness and completion.

Church Seal Clarified

CLARIFICATION

As once can see here, the directions/seasonal stars are marked by the abbreviations N, NE, E, SE, S, SW, W and NW as well as numbered 1-8. In corresponding fashion each of the smaller stars, the numbers 1-24 are aligned for that clarification.

 

The World star is self explanatory with 1 placed in it. This again applies the basic mathematical equation as 1 + 8 +24 = 33. In this case, the stars are placed on a black background simply for clarification and separation from the white background. In Druwayu, one must be aware that these alignments are more important because they are foundations upon which so many things were built. 

Applied to our Flag​

Several potential designs were considered and were used for a time to represent the church and its religion. However, they did not fully resonate and were needlessly over complicated. The goal was to connect it in a meaningful way with natural alignments and with the State and Country of origin which wasn't an easy process of development. We also chose a break away by placing 33 Star Seal on a black background which is also how our Flag has been defined. For clarification of color symbolism, the following presents these concepts directly for quick reference. Be aware Color is one of the most potent psychological tools used in marketing, design, and propaganda; not because it speaks to logic, but because it bypasses it. It operates on both conscious and unconscious levels, shaping perception, emotion, and behavior before a person even realizes they’ve been influenced. Before Proceeding, the colors chosen were and are based on:

  • White

    • Positive: Spiritual clarity, purification, openness → Psychologically used to invoke trust, freshness, and modernity.

  • Black

    • Positive: Protection, containment, ritual closure → Triggers feelings of sophistication and control.

  • Red

    • Positive: Passion, vitality, courage → Stimulates energy, urgency, and physical arousal.

We also recognize the fact that some may instead view it from the perspective of the more neutral or negative associations of these colors, however, the intentions and motivations are the positive side of them more than anything else. We also did not use Neon Colors and wanted to also make sure reproduction of flags fall within the following simple suggestions of vexillology (study of flags and banners) under what's known as Five Principles.

The Five Principles are:

  1. Keep It Simple. The flag should be so simple that a child can draw it from memory.

  2. Use Meaningful Symbolism.  The flag's images, colors, or patterns should relate to what it symbolizes.

  3. Use 2 or 3 Basic Colors.  Limit the number of colors on the flag to three which contrast well and come from the standard color set.

  4. No Lettering or Seals.  Never use writing of any kind or an organization's seal.

  5. Be Distinctive or Be Related.  Avoid duplicating other flags, but use similarities to show connections.

CLERGY SEALS

Silver Seal

Common Warlocks and Witches

Silver and Gold Seal

Elder Warlocks and Witches

Gold Seal

High Elder Warlocks and Witches

As an additional note, those who have these recognized ranks can use them as seals for their avatar images for their various online accounts but must only use the one that is appropriate for their recognized membership within the Church. They may also use such on any personal documents as a stamp along with their name should they choose to pay for the creation of such out of pocket or if members donate such crafts of their own free will. 

DRIKEYU: THREE KEYS

 

Drikeyu, dri- "three" +  keyu = cǣga "keys." Each 'key' represent each of these three keys as cosmological concepts that bridge many aspects of philosophy, theology, sciences and social structures or concepts of the community, and the surrounding interlinking knot represents the eternal interwoven qualities of all things here and beyond, known and known.  

Each Key breaks down into the following​

​​

  • Worloga – From Wor/Vor/Fora/Fara ("fore") + Loga/Lagu/Laga ("laws"), meaning "Primal Laws." Old Norse/Icelandic): Variant of Örlög.

  • Wyrda – From Wyrkh/Werg/Weorch ("work" from the base wyr-,wer- as wert, werg, wergh), meaning "Works", distinct from fate-centered interpretations. Yrkja (Old Norse/Icelandic): Variant of Wyrda.

  • Wihas – From Wihta/Wihaz/Weihs and Vé/Vi ("life", akin to Vital), meaning "Life", representing universal essence.

Note: Some will use actual keys in sets of three to represent each of the Drikeyu.

drikeyu hammer

HAMMER OF THE DRIKEYU

This specific symbol which combines the head of a Gavel, a Handle of carved braid structure, and an acorn Pommel, through which a ring is inserted, it combines the concepts of the Drikeyu and the oath ring. It's one of the few things considered extremely holy to all Druans. 

The dual head representing pardon and punishment is aligned with the Worloga. The braided handle representing interwoven connections and reciprocal dynamics is aligned with the Wyrda. The acorn isn't just a symbol of the oak tree but a symbol of life in potential and actualization and therefore aligned with the Wihas. 

The oath ring represents a sacred bond that is intended to be an unbreakable commitment rooted in honor, loyalty, and personal integrity. Combined with the hammer symbol it becomes and expression of solemn vows that have consequences when broken or dishonored.

 

Thus, we have our saying: One's Word Wards One's Worth. Breaking One's Word Warrants Shame.

Seal of One and Three.png

ONE AND THREE - SEAL

This is the silver seal of the One God (Triangle) and the Three Goddesses (Rings), based on the core principles of True Sacred Geometry used within the Druish theological and philosophic structures. This is contained within a black background enclosed in a golden hexagon pattern representing the unity and distinct of the One and Three, the ultimate source of all things according to Druish tradition. 

Though rare to find these interconnected in such a matter, the concept dates back to as early as 500 BCE in Celtic-Germanic cultures. The containing primary shape represents eternity and infinity containing the temporal and finite. The triangle represents God, his all encompassing presence, and his power over all things past, present and future. The three interconnected loops represented the three co-equal and co-eternal persons of the three Goddesses as his consorts and eternal companions in all things and ways.

RELIGIOUS ATTIRE OPTION

Druan Conical Hat

CONICAL HAT - RELIGIOUS ATTIRE

This Druish Conical Hat traces its origins to the 17th–18th century capotain, the tall crown hat worn by English Puritans and other Protestant groups. Because the capotain was used by both men and women, it became a recognizable symbol of discipline, austerity, and moral seriousness but later "phased out" of style. 

In the 19th and early 20th centuries, illustrators exaggerated the capotain’s tapered form into the fully pointed “witch” or “warlock” hat. That sharp point was an artistic invention, not a historical feature of the original capotain. This later depiction carried themes of defiance, independence, and resistance to imposed authority which makes it a good fit and symbol resurrected for the Druish community; not just clergy. 

The modern Druish Conical Hat intentionally omits the exaggerated pointed tip introduced by 19th‑century illustrators. Its construction returns to the authentic 17th–18th century capotain‑style silhouette, but with one strict Druish modification:

Structural Requirements

  • A completely flat tip — not rounded, not tapered, not pointed

  • Straight, structured conical sides (a truncated cone, not a sharp cone)

  • Typically crafted from leather for durability, uniformity, and ease of shaping

  • A functional buckle, reflecting period construction rather than fantasy stylization

 

This design preserves the historical lineage while eliminating the Victorian‑era fictional pointed cone.

Symbolic Meaning in Druish Practice

The Druish Conical Hat embodies a deliberate synthesis of two historical layers:

Discipline and devotion: 

 

  1. The original capotain signified austerity, seriousness, and moral focus.

  2. 19th–20th century reinterpretation as defiance

Later depictions of witches and warlocks reframed the silhouette as a symbol of independence and resistance to imposed authority.

The Druish Conical Hat unifies these meanings while rejecting the fictional pointed tip, grounding the attire in documented lineage rather than Victorian embellishment.

Straightforward Historical Checklist

✅ Historically Accurate Components

  • The capotain was worn in the 17th–18th centuries by English Puritans and other Protestant groups.

  • It was worn by both men and women, with stylistic variations.

  • By the 19th century, illustrators exaggerated the silhouette into the pointed witch/warlock hat.

  • This shift carried themes of defiance, outsider status, and resistance to dominant religious authority.

 

⚠️ Clarifications for Accuracy

  • The historical capotain was not sharply pointed like modern costume hats.

  • It was tall and tapered, but never a true cone.

  • The fully pointed silhouette is a later artistic invention, not a historical continuation.

 

Druish Conical Hat Justification

  • The tip is flat — the defining correction to both historical inaccuracy and Victorian exaggeration.

  • The design returns to a structured, historically grounded conical form without the fictional point.

  • Leather construction and a functional buckle maintain period authenticity.

  • Symbolically, the hat represents:

    • Discipline and devotion (Puritan origins)

    • Principled defiance (later reinterpretation)

    • A grounded, non‑fantastical identity rooted in documented history

 

Folkloric and modern symbolic layers may be acknowledged, but never override the historical foundation.

 

Approved Color Variants for the Druish Conical Hat

The Druish Conical Hat maintains a disciplined, historically grounded palette. Colors are selected for symbolic clarity, material realism, and continuity with early‑modern attire.

Primary Standard Colors

These are the core, universally accepted colors:

  • Black — austerity, discipline, historical continuity

  • Charcoal — a softer variant of black used for formal or ceremonial contexts

  • Deep Brown — leather‑authentic, historically grounded, utilitarian

 

Secondary Traditional Colors

These colors maintain historical plausibility while allowing symbolic expression:

  • Burgundy — dignity, resolve, and principled defiance

  • Crimson Red — courage, conviction, and the fire of reform

  • Dark Forest Green — grounding, stability, and connection to natural order

  • Navy Blue — solemnity, depth, and contemplative focus

 

Limited Symbolic Colors

Used sparingly for specific roles, rites, or doctrinal functions:

  • Iron Grey — neutrality, judgment, and clarity

  • Oxblood — transformation, endurance, and historical weight

  • Umber — humility, craftsmanship, and earth‑rooted identity

 

Color Restrictions

 

To preserve the hat’s doctrinal seriousness and historical grounding:

  • No bright or neon colors

  • No pastel tones

  • No patterned fabrics

  • No metallic finishes except functional buckles

 

The palette must remain somber, natural, and historically plausible, reflecting the hat’s dual lineage of discipline and defiance. The only exception to this rule is what's worn by children and even then its by choice, not requirement and must never be forced by parents or anyone else. That would be regarded as a trespass.  

Personal Charms and Tokens

While the form of the Druish Conical Hat is regulated, personal additions are permitted. Small charms or tokens may be attached when they mark a life event, achievement, bond, or recognition given by another Druan. These items are not decorative fashion, but personal records.

  • Adornments are typically modest and placed along the band or fastening, never obscuring the hat’s structure. Accumulation over time may result in a more whimsical appearance, which is understood as reflective of experience rather than irreverence.

  • Touching or removing such items without consent is considered disrespectful. No Druan is required to explain the meaning of an attached token.

The hat remains disciplined in form, while the adornments reflect the individual life lived within that discipline.

 

Social Rank and Functional Meaning

Among Druans, the hat communicates standing and function without the need for verbal declaration. 

  • Height, rigidity, and material quality subtly indicate experience, responsibility, or ceremonial authority.

  • Certain contexts permit variations in color within the approved palette to signal judicial, instructional, or ritual roles.

  • Simpler constructions are associated with daily labor, travel, or instruction rather than leadership or adjudication.

  • It may also have straps to tie the hat so it does not get lost from being "blown off by heavy winds."

  • It should be made of things like leather or other suitable material so it keeps its shape and useful in all weather conditions.  


This mirrors early modern practice, where headwear conveyed status and duty, but is maintained in Druish culture as an active, living convention rather than historical reenactment.

 

Identity, Authority, Protection, Threshold

Within Druish understanding, the hat signifies interrelated functions:

  • Identity: It marks the wearer as Druan, publicly and unmistakably.

  • Authority: It indicates recognized standing, whether communal, instructional, or ritual.

  • Protection: Not in a mystical sense, but as a boundary—what is held inward is not freely exposed.

Forced Removal, Taboo, and Consequence

The hat is treated with the same seriousness afforded to other religious or cultural insignia.

  • Forceful removal is considered a direct insult and an act of desecration.

  • Such an act may reasonably escalate to confrontation, including physical conflict, depending on context and intent.

  • Unauthorized handling or mockery of the hat is similarly regarded as disrespectful, even if no violence follows.

 

Importantly, these consequences are social and ethical, not mythic obligations or supernatural bondage.

 

Voluntary Removal and Intimate Meaning

Context governs meaning.

  • In private or intimate settings, a Druan choosing to remove their own hat may signal trust or vulnerability.

  • In certain interpersonal customs, a woman deliberately removing a Druan man's hat and wearing it herself can be understood as an invitation toward intimacy or a relational bond.

  • This gesture is consensual, symbolic, and culturally intelligible—not theatrical or coercive.

 

The meaning arises from choice, not enforcement.

 

Otherness and Public Recognition

The Druish Conical Hat as a recognized marker of difference.

  • It identifies Druans immediately in pluralistic environments.

  • This visibility is intentional, not provocative—asserting continuity rather than separation, and adoption rather than theft.

  • The hat functions as a boundary marker between Druish observance and broader secular norms without hostility.

 

Thus, the hat communicates presence without spectacle.

 

Summary

For Druans, the conical hat is neither fantasy relic nor decorative tradition. It is a disciplined object, shaped by history, theology, and social function.

It declares:

  • Who the wearer is

  • What role they occupy

  • Where their obligations lie

  • How they stand in relation to both the seen and unseen

 

Its form channels intention upward, its flat crown restrains excess, and its continued use affirms that Druwayu remains grounded in documented lineage rather than based entirely on invented fiction. For Druans, it clan also serve to express a sense we are all in some way liminal beings—neither fully earthly nor divine, but always something in the middle.

 

Historical note:

The old historical designs rather than our adaptations mirrored medieval human society, where hats strictly marked class, guild, or clerical roles such as:

  • More elaborate hats → elders, leaders, ritual specialists

  • Simpler hats → servants, messengers, guardians

  • Shape variations → watchers, travelers, boundary-keepers

 

These specifics are not part of the Druan Conical Hat, though we have extracted the connections and associations from other and related references from various folklore and known historical content as described. 

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