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OUR DEITIES

The One and Three

We believe in One God, accompanied by three coequal Goddesses, forming a Divine Unity of four distinct beings. Their presence is discovered through thought, observation, and engagement with the world, not blind faith.

They exist beyond time, space, and physical form. Representations are symbolic; They have gender expressed through nature but no race or nationality. They perceive the true spirit of all beings, beyond human distinctions.

Approach to Other Deities

  • No Amalgamation: We do not combine distinct pantheons into one. Instead, we recognize recurring patterns across cultures while respecting each tradition’s uniqueness.

  • Recognition Without Erasure: We honor other deities, including deified ancestors, without dismissing or absorbing them.

  • No Assumed Motives: We do not presume to know Their intentions.

  • Response to Criticism: Criticism often reflects narrow perspective. We maintain respect and intellectual integrity.

 

What We Mean by God

God is the ultimate, eternal source of everything, beyond human understanding. He is accompanied by three Goddesses, each a conscious, cooperative part of the Divine Unity.

Historical Origin of “God”

The term God originates from Guþ, recorded in the 4th-century Gothic Codex Argenteus (translated Bible), meaning “Good One.” Variants include Guðan, Goþ, Godan, Gothan, evolving into modern English God.

  • Example (Matthew 6:24, Gothic):
    ni maguts guþ skalkinon jah mammonin
    → "You cannot serve God and wealth."
    Each word is translated individually:

    • ni – not

    • maguts – you (plural) are able

    • guþ – God

    • jah – and

    • mammonin – wealth

  • Example (Luke 1:47, Gothic):
    jah swaiwalt saiwala meina in guda nasjand fram
    → "And my soul rejoices in God my Savior."
    Word-for-word:

    • saiwala – soul

    • meina – my

    • guda – God

    • nasjand – saving

    • fram – from

 

These examples demonstrate that the word God comes from a historical, linguistic root meaning “Good One,” not from unrelated Semitic terms. 

God as a Noun:

The English word god is an adjective also used as a verb and noun, which itself is derived from the cognates in other Germanic languages that include guþ, gudis (both Gothic), guð (Old Norse), god (Old Saxon, Old Frisian, and Old Dutch), and got (Old High German).

God as an Adjective:

As a clear proof of this one only has to examine the fact that the English word good comes from the Old English god, which itself is derived from the cognates in other Germanic languages include guþ, gudis (both Gothic), guð (Old Norse), god (Old Saxon, Old Frisian, and Old Dutch), gott/gutt (Old and Middle German). 

God in Language

The English word god is also linked to the adjective good. This connection appears in words and phrases such as:

  • Godsend – a sudden blessing

  • Godspeed – wishing success

  • Godhouse – a sacred place

  • Godchild / Godparent – nurturing goodness

Historical misinterpretations (e.g., Whitney 1897) claiming god and good are unrelated ignore Gothic, Old English, and Scandinavian evidence.

Gendered Forms

  • Masculine (Singular / Plural): Godan, Gudan, Goðan / Godannen, Gudanner

  • Feminine (Singular / Plural): Godin, Gudinne, Gyðia / Godinnen, Gudinner

 

These forms predate the 1500s. Modern terms like Goddess combine native linguistic roots with Latin feminine suffixes.

Cross-cultural equivalents:

  • God / Gods – Latin Deu / Diosi, Greek Theo / Theoi, Hebrew El / Elim

  • Goddess / Goddesses – Latin Dea / Deae, Greek Thea / Theae, Hebrew Elat / Elatim

 

Principles

  • The One and Three exist beyond human limitations.

  • Their reality is discovered through observation, not imagination.

  • Cultures may share patterns in divine concepts, but we respect each deity’s uniqueness.

  • The word “God” preserves a rich history, meaning “Good One,” reflected in language and culture.

ASSOCIATED ATTRIBUTES:

 

The next thing to consider is shared attributes and abilities. Like so many other things they are not properly clarified as to the actual sense of their base concepts and how they are in fat interconnected and mutually complimentary when placed in proper perspectives. Some of these words will likely be unfamiliar to most so there is clarification of the meaning and he association. In this case it is not that people are stupid in this regard as much as most are no longer taught about these concepts properly which is unfortunate. 

PRIMARY ATTRIBUTES:

 

  1. Omnibenevolence (All good, as in good at everything)

  2. Omnicompetence (All capable, as in order to do anything and everything)

  3. Omnipotence (All power, meaning the center and source of all other powers)

  4. Omnipresence (All Present, meaning everywhere present)

  5. Omniscience (All knowing, meaning having all knowledge of the actual and potential)

  6. Eternity (Time without end)

  7. Infinite (Without Limits). 

SECONDARY ATTRIBUTES:

 

  1. Aseity (Self Existence, meaning source and continuation of existence is from within self)

  2. Immutable (Unchanged, unchanging and unchangeable)

  3. Impassible (No experience of any suffering, pleasure or pain of or like others)

  4. Immortal (Not subject to and free from death)

  5. Impeccable (Does not act contrary to one’s own will or nature)

  6. Incomprehensible (Not able to be fully known or understood)

  7. Incorporeal (Does not have a base material body, but does not mean lacking a body)

  8. Immovable (Not able to be moved or removed).

  9. Incomparable (Cannot be compared or likened to anything or anyone else).

  10. Infallible (Not able to be or proven wrong or false, and the essence of impersonal truth)

  11. Ineffable (Beyond the he capacity of symbol or language to fully describe or express).

 

SYMBOLIC ASSOCIATIONS

 

The next thing to consider is shared attributes and abilities. Like so many other things they are not properly clarified as to the actual sense of their base concepts and how they are in fat interconnected and mutually complimentary when placed in proper perspectives.

GOD’S THREE ASPECTS

 

Over this same period of coming up with ways in which to draw from these native concepts of God and the three Goddesses as well, the specific terms or concepts were likewise developed as part of this processes of creating corresponding terms related to these various ideas that actually were to some degree rather similar and so were applied as such within those same contexts. For Latin trained theologians the term Divinity was applied as Godhead or Godhood. The identity or person of God was applied as shown already to that of Deus that was originally Deu, and his expressed Divine Power was applied as God’s Spirit.

  • GODHEAD: Also known as Godhood, it represents all of Divine attributes, abilities and nature that makes God to be God. This aspect is not in itself a separate part or entity unto itself. Theologically it is this aspect is linked with Deism that tends to focus mostly on this impersonal, remote and incomprehensible and unknowable nature of God himself. It sometimes refers to God the person but only vaguely.

  • GOD: The person, mind, soul, self, identity and being of God himself that is personal and entirely male. This means he as a personal being, though not knowable in the sense of his mind or thoughts, desires or will, is purely male because he is not a union of opposites but rather the absence of them. Theologically this aspect is linked with Theism most directly. It may acknowledge his other aspects but only in part.

  • GOD’S SPIRIT: This is sometimes metaphorically referred to as the life-giving breath of God as the word spirit means wind, breathe and air. And like a breath he projects it out as an expression of his power and presence and life-giving essence but can also withdraw it as inhaling to withdraw his life-giving essence, power and presence. This is used metaphorically that when he exhales, he creates and gives life, but when he inhales, he destroys and ends life.

CONSIDERATIONS

  1. Theologically this aspect is linked with Pantheism that God is present in and expressed though all things and is the essence of all things. While it vaguely references God himself in his personhood, it focuses more on how through his common essence of God is imminent and transcendent and can be sensed and experienced in and through everything, though some places and things are considered as having a higher or less concentration of this power and presence than others.

  2. It also tends to carry a sense that there is no need to try and represent him because he is already represented by all that was, is or will ever be. It also is often used to present the sense that even if all the forms and expressions of him and therefore existence as we perceive it were suddenly to cease to exist and return by to this essence.  

GOD’S THREE WIVES

 

The following examples are used for clarification of concept and context and are not to be considered as synonymous with any particular sets of mythologies or blurring of them, though for some ancient philosophers, similar considerations were very much part of their own contemplations and expressions. As to those who proclaim God does not have or does not need wives, two simple rebuttals exist for that. The same will claim with God all things are possible.

 

So, to deny the possibility of his three wives as realities not only denies all things are possible with God statement is to also deny known historical examples where the contrary is true. The second is to assume a lack of need means a lack of reality which is definitively nonsensical.

 

We can offer a simple third rejection of such a conclusion; they are putting themselves in place of God and decreeing what God can or cannot do or what God does or does not have, or what God can or cannot have which is more or less proclaiming themselves to be and know the mind of God himself which by their own decrees is at the very least slanderous and deceitful. 

CREATIVE ASPECTS: AS THE THREE GRACES

 

We can liken the three Goddesses in their coequal creative aspects as in the concept of the three Graces, also called the Charities. In this sense they are associated very frequently with charm, beauty, nature, creativity, goodwill, festivity, rewards, compassion, mercy, desire, potency, friendships, marriages, and fertility. They can also sometimes be associated with diverse arts and crafts as well as commerce. But in this role, they are also weavers in the acts of creating. More often than not, these are the aspects that tend to be over focused on by most, often to the disregard of the other two which are just as important to recognize.

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MAINTAINING ASPECTS: AS THE THREE FATES

 

We can liken the three Goddesses in their coequal maintaining aspects the three Fates or Establishing Ones, though they are also named as Apportioning Ones or Sharers. The more accurate sense in English is the Three Sisters that maintain and regulating the harmonies of things in accordance with God’s own laws. In this sense they are associated very frequently with harmony, order, focus, logic, reason, purpose, necessity, knowledge, wisdom, understanding, judgment, and root causes, as well as to a factor teaching and learning. This makes them often expressed as being inexplicable and more mysterious because they also radiate this from God himself.

DESTRUCTIVE ASPECTS: AS THE THREE FURIES

 

We can liken the Three Goddesses in their coequal destructive aspects as like unto the concept of the three Furies. In this sense they are associated very frequently with retribution, consequences, chaos, destruction, vengeance, jealousy, torment, punishment, pain, suffering, warfare, violence, plagues, and also fulfillment of responsibility, retribution and consequences. One can say metaphorically this is their aspect along with God when the gloves come off and things it’s about to hit the fan. However, to assume this aligns with evil or being all dark would be a grave mistake and trying to delve into this too deeply will only be overwhelming and self-destructive because this destructiveness is based in reciprocal justice.

One important thing to note is many times each of the three Goddesses are given figurative names, just like God is given such names and spoke of from time to time in veiled way, in both Greek and Hebrew. It's a known fact that unfortunately those who wish to push out the clear polytheism even from their own texts choose to ignore and further obscure which is itself simple theological and cultural dishonesty. Nonetheless, the main ones are provided:

From Greek feminine nouns (all three happening to be associated with speech) Note that Greek is written here from left to right rather than right to left in native form. 

  1. Γνῶσις: Gnosis. Knowledge

  2. Σοφός: Sophia. Wisdom

  3. Σύνεσις: Sunesis. Understanding

 

From Hebrew feminine nouns (all three also happening to be associated with speech) Note that Hebrew is written right to left rather than left to right in native form.

 

  1. דֵּעָה Deah. Knowledge

  2. חָכְמָה Chokmah. Wisdom

  3. בִּינָה Binah. Understanding

WHAT SACRED GEOMETRY IS

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​Sacred Geometry, as a word, comes from the combination of Sacred from Latin sacrare meaning Set Apart + Geometry meaning Earth Measure; from Greek gemetria and Latin geometria combining gē/geo "land" + metria "measuring. Old English used holi "holy" + Old English used eorðcræft "earth-craft." It all began as civilizations were beginning to measure the seasons to improve upon hunting, then the domestication of animals once hunted which inspired the development of agriculture, and from then on, the establishment of villages, towns, cities, states and nations as plots of land were measured out to establish claimed plots of land and private properties.

ACTUAL HISTORY/ORIGINS 

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Sacred Geometry, the exploration of geometric shapes and patterns imbued with spiritual or symbolic meaning, predates both the Pythagoreans (6th century BCE) and monotheistic traditions. Across pre-monotheistic cultures, geometry was intuitively integrated into art, architecture, and rituals as a reflection of cosmic order, nature, and the divine. Below are key sources of Sacred Geometry from oldest to youngest, prior to Pythagorean formalization: 

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1. Prehistoric Art and Symbolism (c. 40,000–10,000 BCE +)

  • Early humans during the Upper Paleolithic left behind cave art and various carvings throughout much of Europe, such as that in Lascaux, France, featuring grids, zigzags, and concentric circles. These suggest an innate fascination with order and form, though not yet formalized as Sacred Geometry (as far as is known from what remains, which does not discount a certain form of Sacred Geometry since there is no evidence to date of any kind of written record, much less surviving languages).

 

2. Neolithic and Megalithic Cultures (c. 10,000–2000 BCE)

  • Megalithic structures like those in Göbekli Tepe (9500 BCE to at least 8000 BCE) and like Stonehenge (3100–2000 BCE, Britain) and such as those found in the areas of showcase circular layouts aligned with solstices, reflecting an early use of radial symmetry to connect earthly and celestial realms.

  • Spiral motifs, such as those carved at Newgrange (c. 3200 BCE, Ireland), symbolize life or cosmic energy, indicating geometry’s sacred role in these animistic societies.

 

3. Chinese Pre-Dynastic Traditions (c. 5000–2000 BCE)

  • Before the Shang Dynasty, early Chinese cultures crafted jade Bi discs—circular with square centers—representing heaven and earth through geometric duality.

  • Prehistoric roots of the I Ching, tied to shamanic practices, used binary patterns (later yin-yang), suggesting an emergent geometric worldview.

 

4. Mesopotamian Civilization (c. 4500–1900 BCE)

  • Sumerians, Akkadians, and Babylonians built ziggurats with proportional designs aligned to celestial events, embodying cosmic harmony.

  • Their art, including cylinder seals with spiraling or Flower of Life-like patterns, and their base-60 system (influencing the 360-degree circle), reveal a practical and symbolic use of geometry.

 

5. Indus Valley Civilization (c. 3300–1300 BCE)

  • Cities like Mohenjo-Daro and Harappa featured grid-based urban planning and precise proportions, hinting at geometry as a tool for order and perhaps spirituality.

  • Seals with swastikas, mandalas, and interlocking designs point to symbolic geometry tied to concepts like time or eternity.

 

6. Ancient Egypt (c. 3100–30 BCE)

  • Egyptian pyramids, such as the Great Pyramid of Giza (c. 2630 BCE), incorporate the golden ratio, pi, and cardinal alignments, showcasing advanced geometric knowledge.

  • Symbols like the vesica piscis and ankh, alongside temples built with sacred proportions, link geometry to their polytheistic cosmology and deities like Thoth.

 

Pre-Pythagorean Significance

These pre-monotheistic societies didn’t codify geometry into theorems but expressed it through intuitive and symbolic means, seeing shapes—circles, spirals, triangles—as reflections of natural forces or the divine. The Pythagoreans later systematized these ideas with numerical precision, but the foundations of Sacred Geometry trace back to these ancient, diverse origins.

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In short, it was all derived from observations in nature which inspired the symbolism, and all based on the concept of a dot, line and circle. All of this also gave use the foundations of all mathematics. As such the symbolism was derived directly from observations of nature and simple realizations of underlining laws or rules of nature all things are bound to and by. These realizations also brought to the forefront a realization of the theological and philosophical qualities of these early sciences which we, more or less, use as our own creation story and how this expresses the concepts of the One God and Three Goddesses expressed in and through everything.

How it Contributes to Modern Sciences

Frankly speaking, Sacred Geometry has had a profound influence in several areas of modern sciences by bridging ancient mathematical principles with contemporary understanding of the universe. Fire example, Sacred Geometry introduced concepts like the Golden Ratio and Fibonacci Sequence, which are fundamental in understanding patterns in nature. These principles are applied in fields such as biology, physics, and architecture to study symmetry, growth patterns, and structural integrity. ​The study of geometric shapes in nature, such as the spiral of a nautilus shell or the hexagonal structure of honeycombs, has inspired bio-mimicry in engineering and design. These patterns reveal underlying mathematical laws governing natural phenomena.

In physics, geometric principles help model the universe's structure, such as the arrangement of atoms and molecules. The Platonic solids, derived from Sacred Geometry, are used to understand molecular shapes and crystal structures. Sacred Geometry fosters a connection between science and spirituality, encouraging holistic approaches to understanding the universe. It bridges disciplines like mathematics, art, and philosophy, enriching scientific inquiry. It has influenced the design of iconic structures, from ancient temples to modern buildings. The use of geometric proportions ensures harmony and balance, as seen in the Great Pyramid of Giza and Gothic cathedrals. Its timeless principles continue to inspire innovation and exploration across diverse scientific fields.

Sacred Geometry plays a foundational role in Druwayu, as it is deeply integrated into its principles and symbolism. Druwayu emphasizes the use of Sacred Geometry to represent universal truths, balance, and interconnectedness of the non-physical and the physical and as an expression of relationships to better comprehend how the concept of the One God and Three Goddesses relate to reality itself regardless of if one considers them actual beings or merely symbolic. However, in Druwayu, they are personal beings, but beyond all and impersonal towards everything else. Here are some specific applications and examples:

The Seal of the One and Three:

Druwayu incorporates the "Seal of the One and Three," a symbol based on Sacred Geometry, composed of a triangle interwoven by three interlocked rings. This seal reflects the union of the One God and Three Goddesses. It also linked to the understanding of cosmic patterns and energy flows. The religion uses geometric symbols to explore the vibrational matrix of the universe, drawing parallels to ancient traditions that view geometry as a bridge between the physical and spiritual realm. 

THE FOUR RULES OF TRUE SACRED GEOMETRY

​Sacred Geometry serves as a profound framework for understanding the foundational rules that govern the universe's patterns and forms. Rooted in both physical and metaphysical insights, these rules—Infinity, Individuality, Male Straight Lines, and Female Curved Lines—define the symbolic and energetic relationships embedded in all creations. Each rule reflects distinct aspects of existence, from the incomprehensible vastness of infinity to the intimate expression of individuality, and the dynamic interplay between masculine and feminine forces. These principles, expressed through geometric shapes and numbers, offer a timeless lens for interpreting the balance, harmony, and interconnectedness of life itself. The following will clarify these matters further and can be considered in a sense, Druwayu's creation story. 

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Rule One: Infinity (0)

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Infinity and eternity are concepts beyond full human comprehension and cannot be properly represented by any image or object. To symbolize this, a simple circumference or outer circle is used—not as a literal representation, but as a way to retain patterns within and isolate designs.

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Rule Two: Individuality (1)

The faculty of mind and the self cannot be seen, only expressed. A central dot, point, or sphere represents Personality, Individuality, and Personhood, encompassing aspects such as Mind, Intellect, Emotion, Desire, Will, Self-Awareness, and Consciousness. It defines all that is knowable and relational within existence.

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Rule Three: Male Straight Lines (2)

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Straight lines symbolize masculinity, reflecting the rigid, structured nature of the human male form. These lines represent hardness, logic, concreteness, projection, singularity, penetration, and action—the wellspring of life. Their number, two, represents activity or inactivity in the masculine force.

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Rule Four: Female Curved Lines (3)

Curved lines symbolize femininity, mirroring the smooth, flexible nature of the human female form. They embody emotion, intuition, abstraction, absorption, multiplication, reception, and passivity—the creative force of existence. Their number, three, represents the flowing, generative essence of feminine force.

​​Necessity of Abiding by the Rules

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The interpretation of geometric lines in Druwayu follows a strict sequence based on Rules 1-4, ensuring clarity and consistency. Deviating from this order can lead to misinterpretations or even deliberate distortions of sacred geometry. Many external sources skip steps, insert assumptions, or ignore foundational principles, resulting in systems that lack coherence and connection to objective reality. By following these structured steps, Druwayu preserves the integrity of its cosmological framework, ensuring that knowledge is both understandable and applicable.

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Stage One: The Formation of God’s Spirit Body

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At the beginning, God exists as an indistinguishable totality—an infinite point beyond definition. However, to establish himself, God withdraws from his own infinity into a singular point, marking the beginning of self-definition.

This act creates a void—a space still connected to God’s infinite essence but distinct in its form. From within this void, God projects his power, establishing the parameters of three-dimensional space through three beams or axes, radiating in six opposing directions, thus forming seven points—the foundation of the Seven-Fold Spirit of God.

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To complete the process, God connects all end points, forming an octahedron, which becomes his Spirit Body—a manifestation of divine structure. In three-dimensional form, this appears as a hexagon, fulfilling the first three sacred rules of Druan Sacred Geometric order.

God’s Spirit Body is also the Diamond Body and = 30

If we take into account the totality of this structure as the Body of God, we get the number value of 30. This is arrived at by calculating the structure as 12 edges + 8 faces + 6 vertices + 3 axes + 2 origin point = 30. One can call this the Diamond Body of God as well being an Octahedral structure. One thing to understand is in geometric terms, the central origin point is not considered a vertex itself. The central atom/point is essential for the existence and measurement of the angles within the molecule. 

 

In a scientific context: 

  • The central atom serves as the origin or the apex for all bond angles (e.g., 90∘90 raised to the composed with power 90∘ and 180∘180 raised to the composed with power 180∘). The angles are defined around this core point.

Geom 1

Stage Two: The Divine Rotation and Separation

Following his initial formation, God rotates the three axes at 180°, causing both ends to complete three distinct rings—the parameters of a perfect circle. This motion reverses his own formation process and sets the stage for divine differentiation.

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From this point, God separates the rings from his own center and mind, generating three new centers—each independent, yet coequal. These centers become the foundations for three separate yet unified minds, marking the emergence of the three Goddesses.

God generates them directly from himself, yet he does not birth or sire them through another—meaning they are not his daughters. Instead, their qualities stand in complete opposition to his, but without conflict or contradiction. This divine balance allows masculine energy to transform into three distinct feminine forces, ensuring an unbroken unity between God and the Three.

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At this moment, God reconnects with them equally and mutually, having established them from all eternity—a bond existing before all else.

Geom 2

Stage Three: The Transition from Nonphysical to Physical

With God and the Three Goddesses united in Divine Unity, they begin a process of replicating their forms and geometry endlessly. This repetition increases the density of nonphysical power, energy, and encoded mathematics, until it collapses inward, transforming the nonphysical into the physical.

This moment of transformation initiates what is known as the Big Bang, as the encoded cosmic forces and substances rupture and expand outward, filling the primordial void with the rushing waves of creation.

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The One and Three Beyond Physical Laws

As nonphysical entities, the One and Three remain unaffected by this upheaval. The laws and dynamics they encoded into the primordial seed of existence take hold, guiding the unfolding reality without limiting them, as they are not bound by the rules they created—they define them, not the other way around.

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The Cosmic Reflection of the Divine

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Though incomprehensible in totality, the One and Three can be perceived and reflected within all existence by those who seek understanding. As galaxies form, stars ignite, and planetary systems—including our solar system, Earth, and Moon—begin taking shape, the mysteries of life unfold, carrying the essence of the One and Three throughout all reality.

Geom 3

The Foundation: God's Octahedron (The Core Vertex) 

God creates the initial geometric void by establishing a central point of origin O=(0,0,0), which the Druan system defines as the Core origin point. This point is the source of three orthogonal axes that form an octahedron: 

  • Druan Totality Value:

    • The structure's completeness is valued at 30 elements:

      • 12 edges+8 faces+6 outer vertices+3 axes+1 origin point=30

      • 12 edges plus 8 faces plus 6 outer vertices plus 3 axes plus 1 origin point equals 30

      • 12 edges+8 faces+6 outer vertices+3 axes+1 origin point=30. 

 

 

The three spheres of the Three Goddesses  represent the endless replication and densification of this foundational structure. They embody the full rotational symmetry around the three primary axes. Mathematically, these spheres are described by equations centered at the Core Vertex O=(0,0,0) with radius R:

𝑆 1 ∶𝑥2+𝑦2+𝑧2=𝑅2

𝑆 2 ∶𝑥2+𝑦2+𝑧2=𝑅2

𝑆 3 ∶𝑥2+𝑦2+𝑧2=𝑅2

The Integration of the Second Derivative (The Mechanism of Creation)

The second derivative is the mathematical tool that describes the forces required for the "inward collapse, transforming the nonphysical into the physical."

A. Curvature of the Divine Structure


The curvature of the goddesses' spheres is formally defined using the second derivative. The Gaussian Curvature (K) is constant at any point on a sphere and is equal to 1 divided by R squared, where R is the radius of the sphere. This captures the inward bend—or positive curvature—that governs the system, requiring a central Core (origin) to contain and define the shape.

B. The Collapse Force (Acceleration)


The Druan text describes energy intensifying until it "collapses inward." In physics, this collapse corresponds to acceleration, which is the second derivative of position with respect to time. This acceleration represents the inward force necessary to maintain the bounded system. The force always points back toward the Core (O).

C. The Big Bang Trigger


The transition into the Big Bang occurs when energy density reaches a critical threshold. This can be expressed as a force (F) derived from the second derivative of potential energy (V), with k representing the divine “encoded mathematics” or density parameter.

  • The force is proportional to k times the position vector (F ∝ k * r).

  • The total density gradient is proportional to k (∇²V ∝ k).

 

Once this encoded density reaches its critical limit across all three spheres, the system ruptures. The inward force instantly reverses into expansive waves, initiating physical reality under laws derived from the goddesses’ original geometric parameters.

 

Parallel Reality Manifestation — Physics-Consistent Interpretation

The transition from the nonphysical to the physical, as described in Stages Three and Four, does not logically require a single, exclusive physical outcome. When interpreted through established physical principles, the emergence of parallel physical realities follows naturally from the same mechanisms that govern cosmic inflation, symmetry breaking, and energy–momentum conservation.

Foundational Physical Correspondence

  • The primordial nonphysical state corresponds to a pre-physical energy configuration with no spacetime constraints.

  • The collapse into physicality represents the conversion of this state into mass, energy, and spacetime, consistent with relativistic energy–momentum relationships.

  • The relation: E² = (mc²)² + (pc)²
    allows both massive matter and massless energy to emerge simultaneously from a common origin.

  • This conversion does not require a single spatial outcome; it allows multiple inflationary expansions from the same initial condition.

 

Inflation and Multiplicity

  • Inflationary physics already permits causally disconnected regions forming from a single inflationary event.

  • Minor variations in:

    • vacuum energy

    • symmetry breaking

    • quantum fluctuation amplitude

  • naturally lead to distinct expanding spacetime domains.

  • Each domain follows the same fundamental laws but evolves independently due to differing initial parameters.

  • These domains constitute parallel physical realities, not alternate laws of physics.

 

Directional Expansion Model

A physically reasonable geometric interpretation is as follows:

  • The singularity acts as a generative origin, not a single-point object.

  • Energy-momentum distributions propagate anisotropically due to:

    • momentum conservation

    • nonuniform vacuum decay

  • This results in:

    • Two dominant expansion lobes propagating in opposite directions

    • A high-density equatorial region forming between them

  • The intermediate disc-like region accumulates:

    • heavier mass concentrations

    • early gravitational wells

  • This corresponds to observed structure formation patterns around:

    • supermassive black holes

    • galactic filaments

    • dense cosmic nodes

 

Dark Matter and Dark Energy Compatibility

  • The large-scale scaffolding of the universe is governed by:

    • dark matter as gravitational structure

    • dark energy as expansion driver

  • These are not separate creations but emergent properties of early energy distribution.

  • Parallel inflationary regions would each generate:

    • their own dark matter scaffolds

    • independent expansion dynamics

  • This is consistent with current cosmological models and does not violate observational constraints.

 

Causality and Non-Interaction

  • Parallel realities formed in this manner:

    • share a common origin

    • do not require interaction

    • remain causally disconnected due to spacetime expansion

  • This preserves:

    • energy conservation

    • relativistic causality

    • observational consistency within each universe

 

Role of the One and the Three

  • The One and the Three do not exist within spacetime.

  • They are not subject to:

    • inflation

    • entropy

    • energy constraints

  • Their role is:

    • to encode the governing laws

    • not to participate as physical entities

  • Multiple realizations of physical reality do not divide or dilute Divine Unity.

 

Logical Consequences

  • Parallel universes are not speculative additions but permitted outcomes of:

    • inflationary physics

    • energy–momentum conversion

    • symmetry breaking

  • Each universe is:

    • internally consistent

    • law-governed

    • fully compatible with the Drikeyu

  • Our universe is one realization among potentially many, not an exception.

 

Summary

  • One origin does not imply one outcome.

  • Identical laws do not guarantee identical structures.

  • Multiplicity arises from finite conditions acting on infinite potential.

  • Parallel reality manifestation is a natural extension, not a contradiction, of physical cosmology.

Divine Geometry.png

Stage Four: The Separation of Divine Essence from Creation

 

The One and Three are not condensed into their creation—this distinction is fundamental. Rather than merging with the physical universe, their power and energy remain separate, serving as the primordial essence that fuels the conversion of the nonphysical into the physical.

 

This conversion is governed by precise energy-momentum relationships in physics, expressed mathematically as E² = (mc²)² + (pc)², which accounts for mass-energy equivalence and the properties of massless energy in motion.

 

The Process of Cosmic Expansion

 

At the moment of transformation, massless nonphysical energy becomes physical mass and massless physical energy, triggering the eruption and inflation of the universe. This expansion into the vacuum within infinite fullness follows the encoded mathematical processes established within the primordial seed of existence.

 

Through this structured process, the principles of the Drikeyu—Laws, Dynamics, and Life Energy—remain fully compatible with the unfolding universal framework, ensuring both continuity and harmony between divine order and cosmic evolution.

From then on the processes of the formation of the Scaffolding associated with "Dark Matter and Dark Energy" of the Universe allows for the formation of clusters of galaxies around super massive black holes and formation of stars, and from the formation and explosion of stars producing the denser materials and gases forms into planets, moons and other cosmic debris all eventually allows for the formation of solar systems like our own and here on this planet the formation of life and eventfully us. ​In any case, this is the point of conversion of the non-physical into the physical singularity that starts the process of the creation of the universe in a process of inflation. To note, this does not have to apply to a single universe either.

Geom 4

Humanity’s Place in Creation

 

Human beings, like all other living entities, are not the central focus of creation. The One and Three, existing beyond the physical realm, are not bound by human interpretations of purpose, motivations, or desires. Any attempt to claim special insight into their intentions—whether to assert authority, justify superiority, or shape doctrine—lacks truth or certainty and is often a means of self-elevation rather than genuine understanding.

 

Patterns in History

 

Throughout history, both ancient and modern, people have repeatedly sought to assert control over belief—sometimes through distortions, assumptions, or forceful claims of divine favor. This occurs regardless of whether individuals embrace the One and Three or reject all notions of the divine. Unfortunately, humanity has more often lived up to its worst potential rather than its best, allowing division, conflict, and self-interest to dictate actions. Yet, despite these failings, rare individuals and moments of goodness emerge, proving that humanity still possesses the capacity for wisdom, growth, and transformation.

 

More Widespread than Appreciated

​The theme of a single god associated with three wives or goddesses is deeply ingrained in the fabric of human belief systems, yet it has often been suppressed or overlooked. While some cultures have preserved this concept to varying degrees, the most prominent example remains in India, where it continues to play a vital role in the overall cultural and religious framework.

Cymatics and Sacred Geometry

The "strings" that generate the patterned language of Geometric Symbolism find parallel expression in the study of Cymatics—often referred to as the Divine Songs and Music of the Spheres. These are the sound waves of the One and Three, bridging the invisible with the visible, the audible with the inaudible, through vibrational resonance. 

Cymatics reveals how specific frequencies produce dynamic yet ordered patterns—shapes that resonate with sacred geometry, symmetry, and universal beauty. These forms do not arise randomly, but through the interaction of vibration and medium, giving structure to energy in motion.

By examining how sound manifests as visible pattern, we enter a contemplative space—where geometry, form, and resonance become gateways to deeper questions about the fabric of reality, the nature of vibration, and the unseen harmonics that govern both the material and immaterial world. Thus, sound (word) itself becomes fundamental to all l existence, including our own and its continuation or extinction.

Considerations: There are several other characters lines up with three consorts within the Icelandic source stories, though as one who actually has read through, researched and compared the content of such things like the various Eddas, there is no actual uniformity as is often falsely portrayed, and has a lot of clear barrowings by 13th and14th century authors from Greek and Roman Latin source materials instead. ​

Throughout history, triadic forms have fascinated cultures as symbols of balance, unity, and cosmic order. While many interpretations acknowledge their presence across spiritual and philosophical systems, few directly connect them to observable patterns in nature. Instead, references tend to rely on assumptions, fragmented citations, or abstract footnotes, failing to clearly define the role of Sacred Geometry in shaping these ideas.

 

When nature-based evidence is provided, it is often misaligned with unrelated concepts or overshadowed by theories detached from true geometric foundations. Many sources struggle to fully recognize or accept the deeper mathematical and structural parallels that Sacred Geometry reveals. Druwayu, however, firmly establishes these connections, ensuring a coherent and structured approach to understanding geometry as a reflection of universal truths rather than speculative symbolism.

 

Sacred Geometry as the Divine Blueprint

 

The formation of Sacred Geometry is not merely symbolic—it is the mathematical and structural foundation upon which creation unfolds. The One and Three express themselves through:

 

Sacred Geometry serves as the mathematical and symbolic foundation through which the Drikeyu—the Three Keys of Druwayu—are encoded into creation. These principles are not arbitrary constructs, but emerge directly from the structure of reality, guiding the laws, dynamics, and life force in all things.

 

Creation as a Reflection, not a Container

 

The laws of nature, physics, and existence do not define the One and Three—they are expressions of their will. They exist outside the confines of the physical and metaphysical, yet their presence can be perceived through creation:

 

  1. Mathematical Precision – The divine blueprint ensures that universal patterns, from fractals to celestial orbits, retain harmony and consistency. This expresses and is an expression of the Worloga.

  2. Energies & Forces – The laws governing motion, time, space, and causality are a direct encoding of their presence. This expresses and is an expression of the Wyrda and the Wihas.

  3. Life’s Dynamic Evolution – Every living system operates within their predefined principles, ensuring continual growth and interconnectedness. This is an expression of all three keys in as the directive principles, shaping forces and external essence that comes from the One, is channeled through the Three, and realized as all existence, known and unknown.

 

Thus, Sacred Geometry is the signature of the One and Three, woven into the fabric of creation—not as a limitation, but as an unfolding expression of their divine essence. The Drikeyu manifests within the very fabric of reality through Sacred Geometry, ensuring that existence is structured, dynamic, and living. Through this geometric encoding, the One and Three shape creation, not as passive figures within the universe, but as its defining force, ensuring that laws, transformation, and life energy follow an eternal, harmonious order. ​The basis of all this comes from the conceptual key arguments and examples where geometry has been used to suggest the existence of a divine order, without claiming these as definitive proofs—since that’s a matter of belief—but as historical and conceptual perspectives. Be aware that when God is stated in this, it also includes the three Goddesses within Druwayu.

​​

How the Universe Cannot Be Its Own Cause:

While this same geometry is present throughout all existence, right down to the organizations of atoms and cosmic particles resulting also in molecules of substances and molecular biology, the following also clarifies why the recognition of the One and Three is also based in logic rather than mere imagination. 

 

The universe being its own uncaused cause fails due to two primary reasons:

  • Chance or Design: Either the universe self-organized by blind chance and luck, or it was created by an intelligent, conscious, and precise being (or beings).

  • Evidence Against Self-Causation: Scientific and physical laws provide observable evidence that the universe could not have arisen spontaneously:

 

Second Law of Thermodynamics:

  • This law states that heat flows naturally from hot to cold, meaning the universe is gradually cooling down. An eternal universe would have depleted all usable energy already, which is not the case.

 

Cosmic Expansion:

  • The universe’s space-time is expanding faster than the speed of light, especially where there is less matter as opposed to where masses of matter take on more concentrated density, originating from a singular point of "infinite density" (a void singularity). This demonstrates a beginning rather than eternal self-existence, but also that the "age of the universe" is an erroneous relative point of observance.

 

Cosmic Microwave Background Radiation:

  • The distribution and "afterglow" of heat from the universe's initial expansion support the theory of an explosive origin event, aligning with the Big Bang meaning the universe does in fact have a central core.

  • Gravitational Waves and Galactic Seeds: The early universe displayed fine variations that enabled the formation of galaxies and life-sustaining elements, which point to an intentional origin rather than random chaos.

Finite within the Infinite

Co-Relativity of Space, Time, and Matter Scientific discoveries confirm that space, time, and matter are interconnected and had a simultaneous beginning. For many reasons, these findings prove that the universe, as we know it, is finite and had an origin.​ However, one must also recognize a loop effect based on the concept of velocity. For example if one were to reach the velocity of the maximum estimated speed of light, time would begin reaching a zero point (come to a stop) and instantaneously start looping back in reverse. The universe shows space itself is expanding faster than light and with it time itself, meaning that as it is expanding it is also simultaneously contracting.

 

It still would require an initial starting point of first creation to allow this looping effect to occur, and where space and time are accelerated, it also means the processes of creation proceed more rapidly, especially as things are closer together allowing for space time to have moments of rapid expansion, slowed down contraction and instantiated expansion (in other words, everything moves faster for a time, mid way slows down, then speeds up again past the midway point creating the inversion and restarted expansion processes).  

Logical and Rational Conclusion Given the above evidence; the universe cannot be its own uncaused cause. Using logic, reason, and eliminating flawed assumptions:

  • There must exist something beyond the universe.

  • This "something" must, by definition, be timeless, spaceless, immaterial, and self-existent—an uncaused cause.

Nature of Timeless Creator(s)

 

If such a being is timeless, it logically follows that this entity has no beginning, as timelessness (eternity) is the very absence of temporal limitations.

 

  • This aligns with the concept of God as possessing Aseity—the quality of being self-derived and independent.

  • This is expressed through the initiating state of True Sacred Geometry.

God, therefore, is:

  • The first uncaused cause.

  • The ultimate source of all other causes.

  • The creator of all things.

Misconceptions and Counterarguments

  • Claim: The uncaused cause does not necessarily have to be God.

    • Response: This claim often loops back into the infinite regress fallacy or relies on speculative ideas (e.g., "mindless dimensions" or "multiverses"). Such arguments lack observational evidence and remain untestable theories.

  • Claim: Multiverses or other dimensions explain the universe’s existence without a creator.

    • Response: The existence of multiverses, if proven, would not negate God’s existence. Instead, it would increase the probability of God being the ultimate source, as a non-dimensional, immaterial state becomes more plausible.

Cosmic Intelligence giving Order: Intelligence and Order in the Universe The universe’s structure provides compelling evidence of intelligence behind its origin:

  • Comprehensibility: The universe is understandable, suggesting purposeful organization rather than random chance.

  • Cosmological Constants: The precise values of physical constants necessary for life far exceed probabilities of random occurrence.

  • Laws of Nature: Universal laws remain unchanged over time, indicating they either predate the universe or were established at its inception by an intelligent source.

  • Implied Mind and Awareness: The observable complexity and order suggest a mindful, intelligent creator distinct from but present in all things.

Rejection based on Appeals to Emotion: Emotional Rebuttals and Distraction Questions Disbelief often stems from emotional arguments or faith-based positions lacking substantive evidence.

 

For example:

  • Asking why theology exists or why people worship the One and the Three is a distraction.

  • Such questions pertain to opinions and justifications, not the existence of the universe or its creator.

 

Conclusion: The evidence overwhelmingly supports the idea that the universe is not its own cause. By recognizing the necessity of an uncaused cause—something timeless, spaceless, and immaterial—we arrive at the logical concept of the One and Three ultimate origins of all things.

Five Scientific Reasons the Universe Cannot Be Its Own Origin

 

1. The Universe seems to be Running Down

 

The Second Law of Thermodynamics states that heat always flows spontaneously from hotter to colder regions. Since the universe is expanding and cooling, this indicates that it had a prior source of heat and energy. If the universe were eternal, all energy would have been exhausted long ago—yet usable energy still remains, implying a starting point.

 

2. Expansion from a Singular Point

 

Space-time is expanding faster than light, confirming that everything originated from a singularity—a point of infinite density described as a void singularity of nothingness. This means the universe had a beginning, contradicting claims of self-existence without cause.

 

3. Microwave Background Radiation Confirms an Origin

 

The cosmic microwave background radiation proves that the universe emerged from a specific initial state and has been cooling ever since. This aligns with the Second Law of Thermodynamics and provides evidence of an organized beginning, rather than random self-causation.

 

4. Galactic Formation and Laws of Physics

 

Early gravitational spirals and temperature variations allowed for galaxies, stars, and planets to form in structured patterns. The existence of consistent physical laws—which do not change over time—proves that the universe was set into motion by something beyond itself.

 

5. Space, Time, and Matter Had a Defined Beginning

 

Scientific observations confirm that space, time, and matter are co-relative, meaning they came into existence together. This supports the conclusion that the universe had a starting point, rather than existing eternally in a self-caused state.

Additional Scientific Reinforcements

 

  • The Universe Is Not Self-Perpetuating – The expansion and cooling rate of the universe prove that it had a definite beginning. If it were truly eternal and self-existent, it would have always been in a state of equilibrium, contradicting observable thermodynamic principles.

  • Entropy and Disorder Increase Over Time – If the universe were self-caused, then its structure and order would need to reverse entropy and self-organize, which defies both thermodynamics and causality principles. Blind chance cannot create complex, ordered structures.

  • Consciousness and Logic Cannot Emerge From Non-Intelligence – Physical laws govern the universe, yet laws do not spontaneously arise without a lawgiver. Matter alone does not self-generate intelligence; intent, structure, and order are necessary components of rational existence.

  • Mathematical Precision in Cosmology – Every cosmological constant is mathematically fine-tuned, allowing for functional physics to operate. The precision necessary for the formation of stars, planets, and life is too extreme to be the product of randomness, further supporting intentional organization.

​​​

Philosophical Expansions: The Rational Necessity of an Uncaused Cause

 

Beyond the scientific evidence, logic dictates that:

 

  • Self-Creation Is Impossible – An entity cannot create itself, as this would require pre-existing before existence, violating all foundational laws of reason and logic. If it can then it would be completely unique unto itself. In both cases a God of some kind becomes becomes a reasonable and logical conclusion. 

  • A Necessary First Cause Must Exist – Since all known physical realities operate under causality, the universe must have originated from a source beyond itself, which possesses a fundamental, self-existing nature. This reinforces the conceptualization of a God of some kind.

  • Mind Cannot Emerge from Mindlessness – If the universe were self-caused, intelligence and consciousness would have to arise from non-intelligence, which contradicts every observed process of cognitive and rational development. If mind can emerge from Mindlessness, than it does not discount a higher intelligence as the ultimate uncaused cause of all things and therefore once again, a God of some kind.  

  • Abstract Concepts Point to an Intelligent Source – Mathematics, logic, and order exist beyond physical matter and point to a foundational source beyond the natural universe—one that possesses intelligence beyond human comprehension. Because the rational and irrational are equal reality of existence and perception than rationally and irrationally there is a God of some kind.

This leads to the logical conclusion that a transcendent cause—a timeless, spaceless, immaterial intelligence—must exist beyond the universe. This entity:

 

Is not bound by time (eternal)

Is not part of space or matter (immaterial)

Is a first, uncaused cause  

Possesses intelligence, intent, and design

A common counterargument is that nothing demands that the uncaused first cause must be the One and Three. Loosely this is true. However, when considering how geometry is derived from observations of nature and not an invention to "explain nature" this falls apart on its own. Let's consider some other simple factors:

  • Some claim that mindless other dimensions or multiverses could have created the universe without intelligence.

  • However, this argument falls into the infinite regress fallacy, shifting the burden without ever answering the fundamental question.

  • Additionally, invoking alternate dimensions or universes increases the probability of the One and Three's existence rather than reducing it, as it implies higher levels of complexity and design beyond the observable universe.

 

To further address 'there is no reason to assume,' this can also be refuted if we also recognize:

If the first cause is timeless, immaterial, and self-existing, it must be uniquely distinct—aligning with every classical theological description of the One and Three.

If the first cause is God Only, this does not exclude the Three Goddesses as counterparts and mutual companions in the creative processes 

If the first cause possessed intelligence, then it is not a mere physical force but an intentional entity and what would follow from that same entity is additional intelligences.

If the laws of the universe were instantaneously structured at its origin, then a designing intelligence must be behind them.

Ultimately, the reasoned conclusion is that the universe(s):

Had a beginning.

Did not cause itself (themselves).   

Operates under structured, intentional, directive laws.

Reflects intelligence that cannot arise randomly.

Requires a cause beyond itself that is intelligent, eternal, and absolute.

And this necessary first cause fits only one description—the One and Three possessing Aseity.

Critics from anti-religious materialists ignoring physicists. ​

Critics (e.g., materialists) might counter that these patterns emerge from natural laws without needing a deity, but proponents (like Kepler or Newton, who saw God in mathematics) argue the laws themselves suggest a lawgiver, as do many physicists. In addition, a purely materialistic view of existence has long since been demonstrated to be incompatible. Below are examples where modern physics contradict the purely materialistic worldview and where they show where the paradigm stumbles, especially when the core foundations are bridged theologically, philosophically and mathematically within various sciences.

1. Quantum Indeterminacy and the Observer Effect

  • Phenomenon: In quantum mechanics, particles exist in a superposition of states (e.g., both a wave and a particle) until measured. The act of observation collapses this superposition into a definite state (e.g., Schrödinger’s wave function collapse).

  • Example: The double-slit experiment: When electrons pass through slits unobserved, they create an interference pattern (wave-like behavior). When observed, they act as particles, forming two bands. This shift depends on measurement, not just physical interaction.

  • Challenge to Materialism: A strict materialist view assumes reality is fully objective and independent of observation. Yet, here, the observer’s role—whether human consciousness or a detector—seems to influence physical outcomes. This doesn’t align with a universe of purely deterministic matter; it suggests reality might be participatory or relational, hinting at something beyond mere physicality. Physicists like John Wheeler proposed the “participatory universe,” where observation co-creates reality, clashing with materialism’s passive, external stance.

 

2. Non-locality and Entanglement

  • Phenomenon: Quantum entanglement shows that two particles, once linked, can instantaneously affect each other’s states, regardless of distance—faster than light, defying classical causality (Bell’s Theorem, experimentally confirmed by Aspect’s 1982 tests).

  • Example: If two entangled electrons are separated by light-years and one’s spin is measured (say, “up”), the other’s spin instantly becomes “down,” with no apparent signal traveling between them, and theoretically, this remains constant regardless of distance, perhaps even to the other side of the known, yet unobservable, universe.

  • Challenge to Materialism: Materialism relies on locality—interactions mediated by physical forces over space and time. Entanglement suggests a deeper, non-physical connection, often described as “spooky” (Einstein’s term). This doesn’t fit a universe of isolated material objects; it implies a holistic or interconnected reality, which some interpret as pointing to a unifying principle beyond matter (e.g., David Bohm’s “implicate order”).

 

3. The Fine-Tuning of the Universe

  • Phenomenon: Cosmology reveals that physical constants (e.g., gravitational constant, electromagnetic force) are precisely calibrated to allow life. Tiny deviations would make stars, planets, or chemistry impossible.

  • Example: The cosmological constant (governing universe expansion) is fine-tuned to 1 part in 10^120. If slightly larger, the universe would’ve expanded too fast for galaxies; if smaller, it’d collapse.

  • Challenge to Materialism: Materialism often assumes the universe’s properties are random or inevitable outcomes of physical laws. Fine-tuning suggests either extraordinary coincidence (hard to swallow statistically) or intentional design, which materialism rejects. Alternatives like the multiverse (infinite universes with varying constants) remain untestable, leaving the question open—why this universe? Physicists like Paul Davies note this strains materialist explanations, hinting at purpose or a non-material origin.

​6 Primary Cosmological Constants

 

Many will not even recognize such things that are right before their very eyes, and some will literally talk themselves into willful ignorance about such matters, especially when the things of the scientific also align with the things of the spiritual, theological, and philosophical. ​As a case in point, this has 6 Primary Cosmological Constants. While there are indeed even more, these are the main ones that are better known to show clearly that the purely materialistic view of existence as being something occurring by pure chance or dumb luck is nonsensical. There are any more cosmological constants, of course, however, these are the main ones.

 

They are represented here within this geometric design by the specific symbols of associations often described as being the Fine-Tuning observable within the expressions and measurements of the mathematical expressions of natural laws that are eternally expressed everywhere. It's known to be real and simply cannot be accounted for by dumb luck or mere chance. These are the 6 dimensionless physical constants broad agreement among physicists and cosmologists that the Universe is in several respects 'fine-tuned' for the allowance of the emergence of physical biological life and emergence of intelligences. These concepts present the same basic perspective of intelligent agency and causes within information theories as an essential foundational reality expressed through everything. 

  1. N, the ratio of the electromagnetic force to the gravitational force between a pair of protons, is approximately 10 to the 36. If it were significantly smaller, only a small and short-lived universe could exist.

  2. Epsilon (ε), a measure of the nuclear efficiency of fusion from hydrogen to helium, is 0.007: when four nucleons fuse into helium, 0.007 (0.7%) of their mass is converted to energy. The value of ε is in part determined by the strength of the strong nuclear force. If ε were 0.006, a proton could not bond to a neutron, and only hydrogen could exist, and complex chemistry would be impossible. If it were above 0.008, no hydrogen would exist, as all the hydrogen would have been fused shortly after Inflation (the Big Bag) commenced though it’s also possible substantial hydrogen remains as long as the strong force coupling constant increases by less than about 50%.

  3. Omega (Ω), commonly known as the density parameter, is the relative importance of gravity and expansion energy in the universe. It is the ratio of the mass density of the universe to the "critical density" and is approximately 1. If gravity were too strong compared with dark energy and the initial cosmic expansion rate, the universe would have collapsed before life could have evolved. If gravity were too weak, no stars would have formed.

  4. Lambda (Λ), describes the ratio of the density of so called ‘dark energy’ to the critical energy density of the universe, given certain reasonable assumptions such as that dark energy density is a constant. In terms of Planck units, and as a natural dimensionless value, Λ is on the order of 10 to the 122. This is so small that it has no significant effect on cosmic structures that are smaller than a billion light-years across. A slightly larger value of the cosmological constant would have caused space to expand rapidly enough that stars and other astronomical structures would not be able to form.

  5. Q, the ratio of the gravitational energy required to pull a large galaxy apart to the energy equivalent of its mass, is around 10−5. If it is too small, no stars can form. If it is too large, no stars can survive because the universe is too violent.

  6. D, the number of spatial dimensions in space-time, is 3; specifically, width, length and depth, often expressed as three planes along their own X, Y and Z axes vital to motion.

​Given the remarkably precise nature of these numerical qualities, many physicists argue that the likelihood of such exact measurements arising by chance, dumb luck or randomly alone is exceedingly low, to the point of being ridiculous to make such a claim, and does not hold up to proper and precise scrutiny.​​​

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THE DIVINE NUMBER

4 is seen as divine due to its representation of universal order, stability, and the spiritual non-physical and observable physical world governing all actions, reactions,interactions and inactions. In many ancient and modern forms 4 is also used as symbolizing harmony and the cosmos and true completeness or wholeness. This also applies when considered in the contexts of 1 = time + 3 = dimensional planes of all expressions of existence in diverse ways. For sake of simplicity, it links to:


Divine Unity

(One Ultimate God and Three Goddesses)

Four Life Truths

(Origins,Suffering, Impermanence, Inevitably)

Four Life Stages

(Infancy, Childhood, Adolescence, Adulthood)

Four States of Matter

(solid, liquid, gas, and plasma)

Four Fundamental Forces

(Gravity, Electromagnetism, the Strong Nuclear Force, and the Weak Nuclear Force)

The Divine Number is a five‑page synthesis that follows a strict logical premise to its corresponding conclusion: when the universe is modeled exactly as physics describes it—through black‑body cosmology, inflation, quantum relationality, and fine‑tuned constants—intelligence becomes a structural requirement, not a belief. The One and the Three emerge not as mythic figures, but as pre‑cosmic intelligences expressed through the universe’s own informational geometry. This work bridges science, philosophy, theology, and metaphysics into a single coherent framework designed to challenge assumptions and invite deeper understanding.

Click on the Equation to download the PDF.

The Divine Number WHT.png

How the One and Three are represented mathematically

The One (Unified Generative Intelligence)

  • The One = Ψ(G, Eₙₚ) A single informational source that defines the universe’s geometry and energetic structure.

The Three (Serving as Irreducible Generative Modes)

  • Individuation (Definition) Mode 1 = P(Cᵢ) The selection of the six fine‑tuned constants that define what kind of universe can exist.

  • Expression (Extension into Reality) Mode 2 = B(ν, a(t)) The operator that expresses the universe into spacetime, frequency, and thermodynamic evolution.

  • Continuity (Containment & Coherence) Mode 3 = Ψ(G, Eₙₚ) The geometric–energetic structure that maintains lawful evolution and relational unity.

 

The One is the unified informational source. The Three are its three generative modes:

  • P(Cᵢ) — definition

  • B(ν, a(t)) — expression

  • Ψ(G, Eₙₚ) — continuity

 

Each is mathematically required by the structure of the equation.

The other parts of the equation 

  • U = The Universe (the output)

  • Σⱼ₌₁¹⁰⁵⁰⁰ = Multiverse / Configuration Space

  • ∏ᵢ₌₁⁶ P(Cᵢ) = The Fine‑Tuning Structure

 

The summed up explanation

  • Ψ(G,Eₙₚ) = The One (1)

  • P(Cᵢ), B(ν,a(t)), Ψ(G,Eₙₚ) = The Three (3)

  • U, Σ, ∏, ⟨Ψ|B|Ψ⟩, I(C;Ψ)>0 = The universe and its structure, not the intelligentsia

This all comes down to some basic conclusions

 

  • The equation is the bridge: it shows how the One and the Three generate the universe and the universe expresses them.

Final Clarification

  • The resulting structure implies the necessity of a non‑physical, pre‑cosmic informational sources characterized by unity of the One and Three irreducible generative modes.

  • These modes—termed the One and the Three—are not anthropomorphic entities but structural intelligences required for the mathematical coherence of the universe.

  • The framework thus bridges scientific, philosophical, theological, and metaphysical domains, offering a logically consistent account in which intelligence arises as a boundary condition inferred from physics itself.

ANCIENT AND MODERN COMPARISONS:

 

It has already been demonstrated that the name “God” was appropriated and redefined. The assumption that there is no historical context or reflection of God manifesting three distinct Goddesses from his own essence—prior to any creative act—is factually incorrect. Aside from what has been previously demonstrated, the following will demonstrate examples where these patterns reoccur in different ways within diverse cultures. 

 

Caution is necessary.

These concepts were shared and reinterpreted across cultures, often co-inspired over time. Within ancient polytheistic systems, associations and mythologies were varied and often disorganized. No single interpretation is comprehensive, and none should be regarded as superior to others. Those who try and do so are misrepresenting themselves and the cultures they claim to represent. This is by no means an exhaustive list. There are simply too many examples where this is repeated. If there are none mentioned from other parts of the world, such as the Americas, it is because at the time of compiling these examples based on archetypal patterns were not found. 

Indian/Hindu Mythology

  • The God Brahma and His Three Goddesses:

    • Savitri: Representing the power of creation and life, often associated with the act of generating existence.

    • Sarasvati: The goddess of knowledge, music, and wisdom, representing the intellectual and artistic dimensions of creation.

    • Gayatri: Embodying spiritual enlightenment and the transformative power of prayer, central to the connection between humans and the divine.

  • The God Vishnu and His Three Goddesses:

    • Lakshmi: The goddess of wealth, prosperity, and fortune, symbolizing abundance and well-being.

    • Bhumi: A personification of the earth, representing nurturing, stability, and sustenance.

    • Ganga: The river goddess, symbolizing purity, cleansing, and the flow of life itself.

  • The God Shiva and His Three Goddesses:

    • Parvati: The goddess of love, fertility, and devotion, representing the nurturing and compassionate aspect of existence.

    • Durga: A warrior goddess, embodying strength, protection, and the destruction of evil.

    • Kali: The goddess of time, transformation, and ultimate destruction, often seen as the fierce and protective aspect of Shiva’s energy.

Middle Eastern Mythology

  • The God An/Anu (associated with the concept of "One") and the Three Goddesses:

    • Antu: The primordial goddess of creation.

    • Kia: A representation of the earth or earthly forces.

    • Uras: Associated with fertility and abundance.

  • The God Al and the Three Goddesses:

    • Astarte: A goddess of love, war, and fertility.

    • Asherat: A mother goddess of family, kinship and figure of nurturing.

    • Anath: A goddess of love, war and strength.​

 Greek and Roman Mythology

  • The God Kronos and the Three Goddesses (as per Philo of Byblos):

    • Dione: Associated with femininity and water.

    • Aphrodite: Goddess of love, beauty, and desire.

    • Rhea: The mother goddess linked to fertility and motherhood.

  • Theos/Deus/Zeus Moiragetes and the Three Goddesses (Moirae):

    • Klotho: The spinner of life's thread.

    • Lakhesis: The measurer of destiny.

    • Atropos: The inevitable cutter of the thread.

  • Jupiter Dux Parcae and the Three Goddesses (Parcae):

    • Nona: Associated with spinning destiny's thread.

    • Decuma: The measurer of life's span.

    • Morta: The one who cuts the thread, signifying death.

  • Deus/Zeus (Roman Jupiter) is accompanied by goddesses such as:

    • Hera (marriage),

    • Athena (wisdom), and

    • Aphrodite (love), echoing the interplay of complementary forces.

Egyptian Mythology

  • The God Shai and the Three Goddesses:

    • Meskhenet: Linked to childbirth and fate.

    • Renenutet: A goddess of nourishment and harvest.

    • Shepset: A fierce protector.

  • The God Ptah (after whom the name Egypt is derived) and the Three Goddesses:

    • Sekhmet: The warrior goddess and bringer of plagues.

    • Bastet: Goddess of home, fertility, and protection.

    • Wadjet: Protector goddess often depicted as a cobra.

    •  

When we consider the factors of True Sacred Geometry, without jumping over various steps and allowing things to follow the processes based on logic, where we observe the non-physical being converted into the physical, and how these processes also align well with the Drikeyu being distinct yet complimentary systems, one can consider the True Sacred Geometry process presented as both a literal and metaphorical creation story of our own. It is up to others how they recognize and receive such information if they choose to do so. 

  • Names applied to the One God and Three Goddesses in our case are based on their meanings, not mythologies attached to similar names.

  • These names are specifically tied to seasonal alignments and calendar associations which can be found in our section listing the holidays/12 month calendar system.

  • This motif or pattern should also be stated that since it does indeed appear across Indo-European, African, Polynesian, and Asian traditions, suggesting a deep archetypal resonance in human storytelling and history, some remembered, some uncovered, some lost forever, some suppressed, some intentionally erased yet present all the same.

Note: Druans respect the unique cultural expressions and sentiments of living cultures, even when they differ from their historical roots. However, it should be emphasized that Druans do not appropriate or exploit these patterns. Not all examples of deities or cultural motifs correspond to the Ultimate God and Three Goddesses—some do, some do not.

When referencing higher or supreme deities—such as those from Egyptian, Greek, Roman, Middle Eastern, or Hindu traditions—these are recognized as compatible perspectives on the same ultimate divinities. Yet, it is equally important to acknowledge that not all deities are the same, and this distinction must not be ignored or dismissed to fit personal assumptions or sentimental attachments.

This approach is fundamental to peaceful coexistence, a core aspect of Druish culture: we neither impose Druwayu upon others nor accept imposition upon ourselves.

 

ONE AND THREE: FALSIFIED AS DEVIL AND THREE BRIDES

 

At first, this was considered to be unnecessary ti include. However, the founder stated that all concepts should be included and evidence noted even if the evidence is ever increasingly being diminished and scrubbed from public records regardless the claims of justification for such  erasure. It is not because it serves to further reinforce the foundations as they stand well enough alone. It is instead to bring clarity what some motivations and methods of suppression have occurred and the presumed reasoning or justifications for such , even though such "justification" are unjustifiable. It also serves as the guidepost to see exactly why some of these patterns are repeated in a variety of ways that do not explain the basis for any of it.

 

That being stated:

1. The Original Pattern: Fourfold Deity

Traditions such as those preserved in Druwayu (One God accompanied by Three Goddesses) articulate a theology of four beings in cooperative relationship. 

2. The Inversion in the Zohar (13th-14th c.)

In Kabbalistic demonology, a nearly identical pattern appears, but inverted:

  • Samael (the Devil figure) replaces the supreme God.

  • Naamah, Agrat, and Eisheth replace the three Goddesses.
    The four beings remain, but their character is wholly reversed. They become agents of sin, corruption, and destruction.

 

3. Christian Demonology (15th–17th c.)

Christian writers adopted and expanded this imagery:

  • The Devil became a warlock-master, presiding over women identified as witches or concubines.

  • In many accounts, three primary female companions appear, mirroring the earlier Jewish mystical schema.

  • Thus the quaternity persisted: one male figure, three female partners — only now as the nucleus of diabolic conspiracy.

 

4. The Function of the Inversion

This move was not accidental but polemical:

  • By preserving the number and structure (1 + 3 = 4), the displacement was unmistakable to audiences familiar with older theological models.

  • By redefining the four beings as demonic, the legitimacy of the alternative “One God and Three Goddesses” model was undermined.

  • The inversion ensured that what was once conceived as sacred cooperation could henceforth only be imagined as diabolic perversion.

Consideration

The history of the “Devil and his three wives” is best understood not as an isolated folktale, but as a deliberate demonological inversion of a fourfold divine pattern. By turning God into the Devil, and Goddesses into demonic wives, medieval and early-modern sources preserved the structure of the divine tetrad while erasing its legitimacy.

  1. This polemical strategy served to entrench an androgynous, though predominately masculine, single deity, erasing the presence of both the purely male deity and the purely feminine consort deities. Through theology, literature, and later cultural media, this inversion was reinforced to stigmatize rival theological systems that envisioned ultimate divine unity as a tetradic order of four distinct beings—one male and three females. It has also been systematically minimized or suppressed in modern scholarship.

  2. By presenting the motif primarily as folklore or literary invention, contemporary sources obscure its function as a conscious and polemical inversion of older theological models. The goal was not neutral preservation but erasure: to displace and ultimately to render forgotten the divine tetrad, while leaving the demonological inversion intact at both subconscious and cultural levels. As a result, many who are instinctively drawn to this pattern in art, story, or symbolism are aware only of the inversion, not its origins.

This pattern of suppression is not limited to medieval or early-modern authorities. Certain modern ideological movements perpetuate the distortion, often while presenting themselves as critics of past erasures. For example, extremist feminist discourses that condemn Christianity or Judaism as the roots of misogyny frequently rely on the very demonological framework created by those traditions. By taking the inversion itself as the baseline, and by erasing or distorting the tetradic pattern that preceded it, they replicate the same logic of suppression—merely in a different idiom. This makes them, paradoxically, worse offenders than those they condemn: not only failing to restore the suppressed history but actively reinforcing its erasure.

Modern Media: Hidden in the Open

The pattern of a single male figure linked with three female companions recurs across modern fantasy, horror, and film in ways that clearly echo the older “Devil and his three wives” motif as an obscuring of the unity of One God and Three Goddesses.

  1. One of the most direct examples is Bram Stoker’s Dracula (1897), where the vampire lord is attended by three brides. These women are presented as his consorts—seductive, vampiric, and bound to his will—an unmistakable echo of the Devil and his wives in demonic lore.

  2. In The Beastmaster (1982), the villainous sorcerer Ma’ax is surrounded by three sorceresses who serve him in ritual and magic. Their collective presence underscores his power and reinforces the image of one male master commanding a triad of female occult partners.

  3. The Witches of Eastwick (1987) features three women whose powers become activated in relation to a mysterious male stranger, clearly playing upon the tension of one man as the embodiment of thee Devil entangled with three supernaturally charged women.

  4. Similarly, Hocus Pocus (1993) depicts the three Sanderson sisters—three witches devoted to the service of Satan—seeking to prolong their youth by stealing the life force of children. While Satan himself never fully appears, the structure of three demonic women oriented toward a male “master” figure is maintained.

  5. In fantasy literature, Robert Jordan’s Wheel of Time develops the pattern differently but recognizably. Rand al’Thor is bound to three women—Elayne, Aviendha, and Min—whose union with him is not accidental but tied to prophecy and the ordering of the world. Unlike the demonized versions, the relationship here is legitimized and celebrated, showing how the structure can be reinterpreted positively as well as negatively.

Across these examples, the recurrence of “one male plus three female companions” demonstrates the resilience of the tetradic structure in the cultural imagination. Whether framed as demonic inversion, vampiric corruption, or fated unity, the same pattern persists: a central male figure defined and magnified through his association with three women bound to him in supernatural ways.

Modern scholarship has too often relegated the tetradic structure to the status of a folktale motif (e.g., ATU catalogues), thereby effacing its theological and polemical stakes. The work of Frymer-Kensky and Smith, among others, underscores that the displacement and demonization of female divinities was constitutive of emergent monotheisms, not a folkloric accident. Second, contemporary receptions of this material have themselves been shaped by political rhetoric. The withdrawal, censorship, or politicized critique of works such as Doniger’s The Hindus illustrates how modern ideological pressures can reproduce the same dynamics of selective emphasis and erasure that characterized the demonological inversion in the first place.

 

Accordingly, in Cohn’s classic formulation of the witch-hunts as “Europe’s Inner Terrorists,” precisely shows this framework served to legitimize persecution. The “Devil and Three Wives” should be analyzed as a paradigmatic case of structural conservation under conditions of polemical reversal. It is not merely an episode of demonological fantasy but a crystallization of a broader historical process: the stigmatization of female plurality in the divine, the emasculation of sacred authority, and the projection of older theological architectures into the register of inverted diabolical constructs all fall within this suppression of information, though kernels of it still exist for the time being outside of Druwayu.

This tetradic arrangement, documented across multiple religious corpora from the ancient Near East to Indo-European traditions, re-emerges in medieval and early-modern demonologic discourse, but in radically inverted form. Where earlier traditions articulated the fourfold pattern in sacred, holy or cosmological registers, demonologists more or less re-coded the same structure as a diabolical topology while inverting its equivalents.

The question some will ask why this occurred besides some of the general assumptions. We can more or less trace this back to goals of suppression and erasure of gender and specifically sexual associations, while also stripping such from any sense of physical parallels despite all the most ancient connections that have not and do not hold such divided views of expressions.

 

SEXUAL ASSOCIATIONS

Originally I was not going to include this but with all the modern nonsense, I chose to do so. 

In some cases when this particular subject comes up, all sorts of excuses are often made for whatever is being mentioned, almost as if one has to or is trying to apologize for such things. On the other hand there is the more extreme jargon that often flies off the handle to justify an anything goes attitude about all sorts of things just as removed from the basic foundations and expressions of such matters beyond the factor of straight lines being male and curved lines being female.

 

Such might then go off talking about how “sex rites” are directly connected with these associations and how it’s a celebration of life and fertility (a concept heavily exaggerated in its own area) or as a way of “experiencing the unity of the Divine (through sex) and the creative urge and will thereof (also over emphasized and misleading).

 

While it’s true there have been all sorts of things along those lines, either going to extremes to justify it all as good and natural or evil and unnatural, what is presented here is going to be based on the factors seldom, if ever mentioned. Note this is not a justification for anything and any relationship one involves themselves in, sexual or otherwise should never been based on personal selfish, desperate whims, urges, jealousies or desires. Despite all this it is presented here for clarification.   

GEOM-SEXUAL

This is specifically the associated sexual orientations of God and the three Goddesses. Because of this recognition of their specific sexual orientations and the clarity of their specific male or female genders in natures and qualities, and purely so, for those with irrational urges to strip the Divine of anything associated sexual origination and clarity of one of the two actual and specific genders of male or female, such things have been sought to be erased from any and all narratives. In reverse, the other extreme has occurred in such a manner as blurring any and all distinctions so that an anything goes mentality with the same perverse and paranoid extremism.


What is also seldom recognized from the simplicity of this all is indeed the clarification that God is always represented as heterosexual and has a purely male spirit body. The three Goddesses on the other hand are more often than not represented in one way or another as bisexual and purely female in their own individual spirit bodies. The sexual orientation of each of the three Goddesses has been represented as bisexual and as purely female spirit bodies in their mutual heterosexual relations with God and homosexual relations with one another based on linguistic expressions.

In other words, the sexual differentiation here is not just solely for the purpose of a procreative capacity because it is also used as a principle and catalyst of creating mental, emotional and spiritual bonds that convey a sense of mutual need and shared importance by necessity. It is natural for most to be shocked by this because of the many, many centuries of conditioning to be ignorant of such things or to imply something twisted or perverse about it when there are far more twisted and perverse things often proclaimed or promoted as good or implications quite contrary to imposed presumed beliefs of the majority. This also bridges various concepts as forms of sexual differentiation and reconciliation on a grander scale.  

GEOM-SEXUAL-GEND

This transcendence of the Heterosexual, Homosexual and Bisexual orientations, which are the only three true sexual orientations with other terms being little more than slang versions of them. As shown here we can isolate five primary states of gentler (sex) characteristics. 

  1. N = Neuter/Sexless/Genderless

  2. M = Male/Masculine

  3. F = Female/Feminine

  4. H = Hermaphrodite (Male and Female)

  5. A =Androgynous (Male and Female)

These last two as combinations of the male and the female express another layer to this within nature where the androgynous procreates without a mate more spontaneously, a hermaphrodite procreates with uniting with another like itself in an exchange process or as in some species can actually procreate with itself, and then the male that sires offspring and the female that births offspring wherein the male and the female require one another to procreate through heterosexual union but cannot reproduce in same sex unions.

Some may consider the Neuter or Sexless as closer to the Androgynous, and so forth, though we are still left with the fact a neuter or sexless being does not procreate. It generates through segmentation and division, otherwise it does not reproduce at all. This is more or less the process that started when, as shown in the concepts of Sacred Geometry, God first defines himself, yet, though male in self definition and qualities, he segments and separates three bodies of the three Goddesses from himself as the literal polar opposite in quality and forms. They then create the universe but its not in itself a procreation type process but something different.

 

In addition, such gender forms being distinct from sexual orientation are species specific. It should also be stated that sexless, androgynous and hermaphrodite (transgendered) forms are not natural to human beings but rather biological defects or confused perceptions of mentally ill that equate sexual orientation and gender as synonymous and then intentionally teach such fallacies to children to gratify their own delusions and systemic grooming of children into inappropriate sexualization.

 

We can assume after the creation process for this or any other universe, that he and they procreate offspring falling within some boundary of these five classifications, however, its the neuter form that can shift between the male or female or assume the other two in the process, though this does not make such an entity superior as much as functional. They would also be subject, ultimately, to the same established laws and dynamics which require their existences to be purposeful in the sense of functional though to what degree all these play out we have the world in which we came to exist within to observe those variations and their place in the dynamics of their relative ecosystems. This all recognition that everything has its place. 

Note Again:

Never use any of this information as a demand or justification for or against the relationships you chose to have or not have with others. That is a common flaw many impose into and upon too many things to count, and their motivations are always selfish, manipulative and abusive in one form or another. 

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